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The Jewish Monkeys are masters of identity play, knights of the absurd, musicians and comedians, who deliver an exhilarating show. They love breaking ethnic and religious taboos, combined with liberating salvos of satire and Balkan klezmer’esque rock music in English and Yiddish. They rarely fail to get people on their feet, dancing: from Syrian refugees in a Dresden transit camp to anti-Pegida protesters the next day. Or from culturally savvy music lovers in [...]

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ASSAF PARIENTE: VOCALS
JOSSI REICH: VOCALS
GAEL ZAIDNER: VOCALS
RAN BAGNO: ACCORDION
YOLI BAUM: BASS
HENRY VERED: DRUMS
OMER HERSHMAN: GUITAR
MORAN BARON: TROMBONE
shows

Jewish Monkeys / Jewish Monkeys On The Road 2018

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Jun 23rd
Vienna / Donauinsel Festival
Ö1 tent
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Aug 11th
Budapest / Sziget Festival
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Tracks

High Words

Oy Brigitte 
Jm Fever 
Post Midlife Dance 
Alte Kacker 
Titina 
Pupik 
High Words 
I Wonder 
Romania 

Mania Regressia

Caravan Petrol 

Caravan Petrol / I want control / Nissan Patrol 
Remote control / Caraca-racara… / Caravan Petrol 

Oy isn’t it an oily planet? /Money feeds the oily expectations of the oil-consuming nations / Leads to global exploitation / I used to be a motherfucker, not knowing what to do in life/I was looking for sensation / In the army of salvation/ But they didn’t have a clue/If only they would see/ How clean the world could be/If they just exchanged the oil for solar energy / Wouldn’t it be nice? / If I went to paradise / Leaving earth a better place /Unspoiled by human race / 

I used to be a motherfucker /Not knowing what to do in life / I was living in disguise / And was hiding from my wife / Desperately wandering in the desert/Trying to purify some water/ But instead I met the daughter / Of the Sheik who owned the well / Well well well well! Fatima Morgana / I showed her my banana / We listened to Santana / This desert is Nirvana / Fatima Morgana /Was licking my banana / Erupting a Fontana / Her Papa was in oil / oyoyoyoyoy Oil /I start to like the goil 

He needed the sheik’s water/ But instead I fucked his daughter / Now the sheik he wants to slaughter / Everyone who fucks his girl / A little defloration /That was such a big sensation / Had to take her for my wife / To escape her Papa’s knife / Kni kni kni kni kni knife / The best chance of my life! 

(instrumental intermezzo) 

If only it could be / That the oil belonged to me / I would sell this whole Nirvana / And end my misery / Be rich eternally / Fuck solar energy / And all humanity / If only they could see / That the king of oil is me / And my oily queen is Fati.. Fatima Morgana/ Ala ala ala / I want her Papa’s car / I’m going to be a star/ I don’t give a shit about pollution / Only the petrol distribution / Is the only right solution / Stop this eco-revolution

Black but Sweet 

What is the woman and you will see, a nice black woman they call Didi / When she presses sweet lips to mine / I said Mammy kiss Pappy all the time 

She is black and only and that is all / She is black and only and that is all / When men meet her, they bound to fall / Until her Mammy doesn’t sleep, oh Lord 

What is the woman and you will see / A nice black woman they call Didi / when she presses sweet lips to mine / I said Mammy kiss Pappy all the time / Didi is that bright of my heart / I felt so funny with her to part / The people in the country of Caroline / can tell how Didi loves Houdini 

Young boy think that they fight for me / Don’t put yourself into difficulties / For it is for this positive fact / The sweetest women in the world of luck / Don’t you mind when you get up old / It’s for never mute, keep cost in your soul / With your black baby you are born to stay / You cannot leave her and go away 

I said Didi, I’m going away / But no longer I cannot stay / Mammy as it is, for this is fact / Sweet Houdini soon is coming back

Luba Lubaviczer 

Petrosilia / Che Guevara 
Rojte Paprika / Mata Hari 
Superwomen / Metaplastik 
Mamographia 

LUBA LUBAVICZER 

Krimme Fiess / Groisse Zitzkalach / Ciciollina 
Mania Regressia / Pizda Kurva 
Kama Sutra / Pseudo Palavra 

LUBA LUBAVICZER 

Luba, Luba, Luba, Luba!! / 
Dayne Oygn hobn sech arayngedrayt in mayne Nishume/ Und ich bin im / Ganzn meshigge gewordn / Oy oy oy oy 

(English): 
Luba, Luba, Luba, Luba!! / Your eyes crashed into my soul/and I became totally crazy/Oy oy oy oy 

Papirossen / Hare Krishna 
Cucarracia / Hiper Histeria 
Noch a zingale / Semi Conductor / Toda la Noce 

LUBA LUBAVICZER 

Alte Kretshme / Poco poco 
Trichomonas / Sensationell 
Psychotherapia / Hysterectomy / Apoplexia 

LUBA LUBAVICZER 

Luba, Luba, Luba, Luba!! / As du kishst mech, brennt a fayer in mir / Oy oy oy oy 

(ENGLISH): When you kiss me, a fire burns in me/ Oy oy oy oy 
Schoyn avek der Nechten / Noch nisht du der Morgen /Es is noch du a bissale Haynt / Ster ihn nisht mit Sorgen 

(English): 
Yesterday is already gone / Tomorrow is still not there /There is still a little bit of Today / Don’t disturb it with sorrows

Johnny is the Goy for Me 

“Johnny is the goy for me” /This is what she said to me … 

“Tall and blond / His eyes are blue / He fucks like hell /Doesn’t smell” / Oy, vey Jossl can’t you see?/ “Day and night / I think of him/ He rides a horse / He goes to the gym” /This is what she said to me … 

DaDai… 

“Johnny is the goy for me” / So I said “Nuuu? Why not a Jew?” 

“All the day / You count and pray / You promise the moon/And come too soon” / Oy, vey, Jossl, can’t you see?/ “You bring no check / Got hair on the back / You snore at night / Mama was right”/ Jossl, you’re no joy for her 

DaDai… 

(Intermezzo): 
Jossl is no joy for her / For Johnny Goy she’s just a toy 

I jumped from a tree / I broke my knee / I rode a bike / Even fucked a dike / Nothing’s good enough for her/ But now I found my Suzy Jane / She can’t do Tshulent / But never complains / For Sue I’m not a lousy Jew / For Sue I’m like a Johnny too 

DaDai…

So Nice 

Louis was a financial fart/Spent all his money eating tart / It made him fat and stopped his heart/ Financial fart was not so smart 

Everything’s so nice / Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice 

Terry was a terrorist/ Couldn’t handle his father’s fist / The people thought that he’s a joke / Some of them went up in smoke 

Everything’s so nice / Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice 

Everything’s so great/ Just enjoy your fate / Everything’s so great/ Just enjoy your fate/daidaidai… 

Jezebel she couldn’t smell/ Her father’s breath was responsible / When he touched her in the loo/ She lost her other senses too 

Everything’s so nice/ Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice 

Everything’s so great/ Just enjoy your fate / Everything’s so great/Just enjoy your fate/daidaidai… 

Geraldine had a spleen/Everything had to be clean/She was never satisfied/ ’Cause the shit came from inside /…From inside… from inside…from inside… 

Everything’s so great/Just enjoy your fate / daidaidai… 
Everything’s so great/Just enjoy your fate/daidaidai… 

Don’t you mind your enemies /Enemas and bumble bees/ Love your neighbor, kiss your wife/ You will probably meet them in the afterlife 

Everything’s so nice/ Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice

Misirlou 

(Yiddish) 
Vayt in dem midbar / Fun heyser zin farbrent/ Hob ikh amol a meydele dort gekent / Misirilou heyst zi/ Yeder dort veyst zi gut/ Kh’vel di printsesn mer shoyn fargesn nit. 

Far in the Desert/ Burnt by the hot sun /I once knew a girl / Misirilou was her name / Everybody there knew her / I will already not forget the princess 

(Yiddish) 
Shtil, ovent kil, Un ikh fil az ikh vil mayn gefil /Far ir oysgisn un zi zol visn nor, Az nor zi lib ikh, Mayn lebn gikh ir, yo / 

Silence, cool evening, And I feel / That I will my feeling 
Spill out in front of her / And she should know / That only her I love / My life I give to her 

(Yiddish) 
Her, s’iz mir shver, Mit a trer zog ikh dir un ikh shver / Midber printsesn, kh’ken nit fargesn dikh / Kum hayl mayn benkshaft, nor di kenst hayln mikh / 

Listen, it is difficult / With a tear, I tell you / And I swear 
Desert princess, I cannot forget you / Come heal my longing / Only you can heal me 

(Yiddish) 
Misirilou mayne, meydale fun orient, Di oygn dayne hobn mayn harts farbrent / Mayn harts vert kranker, in chulem sey ikh dikh/ ants far mir shlanke /Drey zikh geshvind gikh. Midber printsesn, kh’ken nit fargesn dikh / Kum heyl mayn benkshaft, nor di kenst heyln mikh / Mayn mizrakh, blum misirilou 

My Misirilou, girl from the orient / Your eyes have burnt my heart / My hearts gets sicker / In my dreams I see you / Dance in front of me, my beautiful / Turn around even quicker(Desert princess, I cannot forget you / Come heal my longing / Only you can heal me 

My eastern flower, Misirilou

Heat, Meat, Beautiful Feet 

Sitting in my back yard /Everyone’s here / Trying to get the fire start / Listening to my friends fart / Uzi gets stoned / Moishe likes beer / Uzi’s wife wished he had Moishe’s career/ Mama is excited – I’m feeling so alone / Watching my dogs – chewing on a bone/ My lips are swollen and my head is numb / The sun is boiling /I had too much rum 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need? 
Meat, heat – beautiful feet / Oy a mechaye – is it guilt, is it greed?

It couldn’t be much better / There’s pressure in my chest / Everyone is boring / The dogs are depressed 

Never wanted to become one of those / Why are the kids always pulling my nose? 
The drinks are warm / The girls are lame / The guys are laughing, I am getting insane/ Life is too long / And it’s mostly cruel / My prostata is burning /I wish I had a pool/ 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need / 
Meat, heat – beautiful feet / Oy, a mechaye – is it guilt, is it greed? 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need? 

Meat, heat – beautiful feet / Oy, a mechaye – is it guilt, is it greed? 

I wonder why the women that I love / Always have to live with the men I hate/ 
Maybe a fancy house is enough / To make them believe that these shmocks are great/ I’m asking for a hand, doing me a favor / But she’s always busy with her pussy-shaver/ I should’ve sticked to my family’s taboo – / “Never mar ry a woman uglier than you” 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need? 

Meat, heat – beautiful feet / Oy, a mechaye – is it guilt, is it greed? 

Suddenly everyone’s a little bit stressed / The neighbor’s daughter is practically undressed But I will stick to the rules of the game /’ Cause “EDIPUSSY” is my second name

Banana Boat vs. Hava Nagila 

Day oh, Day oh / Daylight come and we wanna go home / Day is the day is the day is the day is the day is the day oh ho hou / Daylight come and we wanna go home 
Announcer: Wait a second. Why do you wanna go home yet? / You want a peace in the Middle East?? 
The two Jews: Don’t they say, make love not war 
The Arab: Leave our land, and we won’t break your jaw 
The two Jews: They killed us in Europe, we need real estate 
The Arab: You gave us the Nakba, now go get your fate 
The two Jews: For 2000 years we are longing for Jerusalem 
The Arab: Al-Quds is ours, Al-Aqsa won’t fall 
The two Jews: For 2000 years we are longing for the Promised Land 
The Arab: Since Muhammad we had the upper hand 
The two Jews: For 2000 years we are longing for Zion, 
The Arab: We don’t have a chance but we fight like a lion 
The two Jews: We are the chosen, the people of God 
The Arab: We’re blessed by Allah!!! Eternal Jihad 

Day oh, Day oh / Daylight come and we wanna go home / day it’s the day oh… / Daylight come and we wanna to go home 
Announcer: Actually, Why don’t we live in peace and harmony / like in Harry Belafonte’s Banana Boat / Look there is a Russian, an Indian, an African, an American 

I work all night and I drink all rum / Daylight come and we wanna go home. / Come Mr. Tallyman, tally me banana / 
Daylight come… 

A beautiful bunch, a ripe banana / Daylight come… / Hide the deadly black tarantula/ Daylight come… 
day it’s the day oh… / Daylight come and we wanna to go home 

It’s six foot, seven foot, eight foot, bunch! / Daylight come… 
Daylight come and we wanna go home 
Announcer: Did you see? / They are singing and dancing together /In fuck’n peace and harmony, Like in Harry Belafonte’s Banana Boat 

Let’s take the Banana Boat to the fuck’n Middle East

You, You and You 

I am so desperate / I cannot separate / Just don’t know what to do / It’s not my fault, 
That you confuse me / And you – you confuse me too 

Is it possible ?/ You think there’s someone else / And it tears my heart in two / You must believe it / For me there’s only one / And that’s you, you and you 

You got to choose / You just have to decide / You got to choose / Which one of us is right, is right, is right 

You say you love me/ But you don’t trust me / You say I have to decide / I would do anything /But my love for you / I can never divide / You don’t believe me / You misconceive me / What do you think I do? / I am not ambivalent / There’s no equivalent / To either one of you 
You got to choose / You just have to decide / You got to choose / Which one of us is right, is right, is right 

Misty psychics, psychiatrists and my cleaning woman, too /They do all agree / Unequivocally / That I am crazy about you / In my diary / In my testament / And my shopping list too / This one and only line / I never redefine / Just says you, you and you 

You got to choose / You just have to decide / You got to choose / Which one of us is right, is right, is right 

If I must choose / There’s no doubt what to do / If I must choose / My choice is you, you and you

Add It Up 

Why can’t I get just one kiss? / Why can’t I get just one kiss? / Believe me there’s something I wouldn’t miss, but I look at your pants and I need a kiss. 

Why can’t I get just one screw? / Why can’t I get just one screw? / Believe me I know what to do, but something won’t let me make love to you. 

Why can’t I get just one fuck? / Why can’t I get just one fuck? / I guess it’s got something to do with luck, but I’ve waited my whole life for just one… 

Day after day I get angry and I will say / that the day is in my sight, when I’ll take a bow / And say good night. 

Oh ma ma ma ma ma Mom / Have you kept an eye, an eye on your son / I know you’ve got problems/ You’re not the only one, when your sugar left / he left you on the run. 

Oh ma ma ma ma ma Maminyu 
Take a good look what your boy has done / He’s walking around like he’s number one / He went downtown and got him a gun. 

Don’t shoot shoot shoot that thing at me / Don’t shoot shoot shoot that thing at me / You know you’ve got my sympathy, but / don’t shoot shoot shoot that thing at me. 

Oh ma ma ma ma ma ma Mother / I would love to love you lover / The city’s restless, it’s ready to pounce / Here in your bedroom ounce for ounce. 
Oh ma ma ma ma ma ma ma Maminyu / I would love to love you lover / The city’s restless, it’s ready to pounce. / Here in your bedroom ounce for ounce. 

I am giving you decisions to make, things to lose, things to take / Just as he’s about ready to cut it up, / I said “wait a minute honey, I am gonna add it up” 
Add it up Add it up Add it up… 

Day after day I get angry and I will say / that the day is in my sight, when I’ll take a bow / And say good night.

Live Music

Rumania @ Vienna Accordion Festival 
Johnny is the Goy for me @ Nachtleben Frankfurt 
Heat, Meat, Beautiful Feet @ Furth 
Add It Up @ Vienna Accordion Festival 
Hit me with your Rhythm Stick @ Furth 
Luba @ Fuerth 
Papirosen @ Vienna Accordion Festival 
Titina @ Fürth 
videos

Official Videos

Jewish Monkeys – "Pupik"
Jewish Monkeys – "Heat, Meat, Beautiful Feet"
Jewish Monkeys – "Romania"
Jewish Monkeys – "Caravan Petrol"
Jewish Monkeys – "Banana Boat vs Hava Nagila"
Jewish Monkeys – "Black But Sweet"

Unplugged

Jewish Monkeys – "Shprayz Ikh Mir" (Live @ Salon 99, Frankfurt)
Jewish Monkeys – "Misirlou feat. Despina Apostolou" (Live @ Salon 99, Frankfurt)
Jewish Monkeys – "Luba Lubaviczer" (Live @ Salon 99, Frankfurt)

Berlin Sessions

Jewish Monkeys - "Titina"

The German Chronicles

The German Chronicles Part 1 – Jewish Monkeys Playing for Refugees in Dresden (2015)
The German Chronicles Part 2 – Jewish Monkeys Protesting Pegida in Dresden (2015)

Live Videos

Live @ Passing Clouds, London
Black But Sweet (Berlin @Rykestr-Synagoge, September 2014)
So Nice (Berlin @Rykestr-Synagoge, September 2014)
press
If you like the wilder klezmer bands, then step right up to the Monkeys.
(Folkworld Review 01/09/17) +

“Klezmer punk is what I was expecting and it is what this collective delivered. The pace is there, but there is a lighthearted nature to their approach, which keeps it fun and invigorating. So much gypsy punk is based on pace and energy with a certain craziness within. This has much of that, but it is far more relaxed and focused on melody, even with a slower song here and there. So if gypsy punk is something you are only half into, this may be the half you are looking for. And if you like the wilder klezmer bands, then step right up to the Monkeys.”
David Hintz, Folkworld Review, September 2017

A fine statement against the all too politically correct thinking.
(Written In Music 02/07/17) +

“A fine statement against the all too politically correct thinking, with a very nice soundtrack … This produces a very exciting, danceable album, which is undoubtedly worth seeing live.”
Philippe De Cleen, Written In Music, July 2, 2017

Anarcho-klezmer with a wink.
(Rebel Base / Tropicalidad 19/06/17) +

“The title track of this new album is an indictment of the establishment that is trying to appease the people with the kind of demagoguery we can still remember from the last world war, instead of focusing on real problems like inequality and ecology. But the fact they also have a lighter side, the band proves with ‘Alte Kacker’ (loosely translated: “old fart”), a cynical song about the ungracefulness of old age. Anarcho-klezmer with a wink!”
– Rebel Base (Belgium), June 19, 2017

Also available on: Tropicalidad (Belgium).

On ‘High Words’ the notorious klezmer punks take another swipe at a broad range of topics and deliver a satirical blow to any and all presumed taboos.
(Bayern 2 03/05/17) +

“On their new album ‘High Words’ the notorious klezmer punks take another swipe at a broad range of topics and deliver a satirical blow to any and all presumed taboos. This includes mercilessly self-pitying Yiddish songs dealing with old age (‘Alte Kacker’), anti-love songs such as ‘Pupik’ or title track ‘High Words’, detailing a righteous fury towards the establishment in the age of Global Warming, that is currently making a return to the demagoguery of the former World War era.”
Tobias Ruhland, BR.de, Bayern 2 (Bavarian radio), May 3, 2017

To try and pigeonhole them would be ridiculous.
(Musikexpress 01/05/17) +

“Album number two by the Israeli Balkan/Klezmer/Punk band once again lays proof to the fact that trying to pigeonhole them would be ridiculous… They manage to turn their fragmented identity in a unique pop statement, while masterfully riding diverse genres as they do languages, dialects and topics.”
4,5 / 5 stars, Thomas Winkler, Musikexpress, 05/2017

Here you have a bunch of creative individualists making completely unorthodox music.
(konkret 01/05/17) +

“Here you have a bunch of creative individualists, two of whom met in the Frankfurt synagogue’s boys’ choir in the ’70s, making completely unorthodox music. And even though their musical blend of punk, jazz, rock, Balkan beats and klezmer is suitable for the masses, their provocative lyrics, a mix of English, Yiddish, Hebrew and German, are filled with (self-)irony and address a more particular kind of listener. Their songs are hardly the material most Yiddish-speakers, seculars or the ultra-Orthodox would relate to. This in part is also due to the fact that their Yiddish is not authentic, but rather a stylistic device to transport folklore and Jewish tradition.”
– konkret Magazin (Monthly publication), 05/2017

The Jewish Monkeys are never malevolent, as they wrap their pungent lyrics in a fine blend of vintage cabaret, folk punk rock and anarchic speed klezmer
(Westzeit 01/05/17) +

“And they are still as audacious as ever: politicians, women, compatriots, no one is spared. Much less the gentiles. That being said, the Jewish Monkeys are never malevolent, as they wrap their pungent lyrics (‘I Wonder’) in a fine blend of vintage cabaret, folk punk rock and anarchic speed klezmer.”
– Karsten Zimalla, Westzeit magazine, 05/2017

Their uptempo songs are forceful and dirty, basking in the glow of their corny ballads.
(Deutschlandfunk Corso 22/04/17) +

“Klezmer, punk rock, Balkan sounds: The Jewish Monkeys deliver another great album alias ‘High Words’. Their essence is not actually political, but they do love satire. Anything that crosses their path is ridiculed. Their uptempo songs are forceful and dirty, basking in the glow of their corny ballads. Once on stage they include bouts of improvisation on guitar or trombone. Music you can really dance to.”
DLF Corso (National German Radio), April 22, 2017

If this is what the proverbial post-midlife dance sounds like, then I do not want to be one bit younger.
(Plärrer Stadtmagazin Augsburg 01/04/17) +

“If the Jewish Monkeys’ beat is what the proverbial post-midlife dance sounds like, then I do not want to be one bit younger.”
Plärrer, Augsburg (Local monthly magazine), April 2017

When played live, this vibrant mix releases an energy akin to a punk rock show
(OX 01/04/17) +

“Musically the Israelis blend ska, pop, klezmer and Balkan sounds. When played live, this vibrant mix releases an energy reminiscent of a punk rock show.”
– OX Magazin Nr. 131 (Hardcore fanzine), 04/05/2017

A wildly danceable mix of klezmer, punk and circus music, paired with uninhibited satirical lyrics.
(taz, Die Tageszeitung 11/03/17) +

“A wildly danceable mix of klezmer, punk and circus music, paired with uninhibited satirical lyrics.”
taz, Die Tageszeitung (German daily), March 11, 2017

Great. Stunning. A unanimous exaltation.
(Darmstädter Echo 10/03/17) +

“Loud, snotty, blunt: these musicians want to provoke. Jewish Monkeys concerts are fun  and never cease to entertain, baffle or even confuse audiences… Great. Stunning. A unanimous exaltation.”
– Darmstädter Echo (Local daily), March 10, 2017

Such is the group’s nonconformity that dictates their every move, starting with their choice of music.
(musikansich.de 09/03/17) +

“That the Jewish Monkeys are not ones to stick to the many conventions of the music business is no longer news to the well-informed. Such is the group’s nonconformity that dictates their every move, starting with their choice of music: Their self-determined brand of klezmer punk will meet any three-chord aficionado’s expectations, but equally cause nervous palpitations among klezmer lovers. Punk in this regard is the band’s said nonconformity, though paired with a hunger for the most diverse musical surprises, feeding on multiple styles, take Balkan elements for instance… That being said, their entire setlist comprises just three songs in a major key, the rest is minor. But their innate ability to turn that into a cheerful live event lays further proof to the fact that this is not your ordinary band, making them all the more valuable. If you get a chance, go see them!”
Roland Ludwig, musikansich.de, March 9, 2017

Their autonomous mix of klezmer, punk, rock, Balkan music and pop is nothing less than an extraordinary circus act.
(Märkische Allgemeine Zeitung 08/03/17) +

“Merry, socio-critical, cutting, highly frivolous and politically incorrect are ways you may choose to describe their songs. Oh and filled with innuendos. As the accordion squeezes out Europe’s final countdown, revealing hidden quotes from the Beatles, their melodies stir up memories. This wild bunch from Tel Aviv, comprising eight musicians in all, sings in Yiddish and English. Eight men and just as many musical influences. At least. Their autonomous mix of klezmer, punk, rock, Balkan music and pop is nothing less than an extraordinary circus act.”
– Märkische Allgemeine Zeitung, March 8, 2017

From the Frankfurt boys' choir to Israel and back: Their music is thrilling as ever.
(Frankfurter Allgemeine Sonntagszeitung 05/03/17) +

“From the Frankfurt boys’ choir to Israel and back: The Jewish Monkeys continue to baffle German audiences with their cheerfully frivolous brand of klezmer punk. Following a change in lineup, the still eight-man combo delivers another stellar album with High Words. Once again, the band digs deep into the profound Jewish tradition. Take ‘Titina’ for instance, a modern-day reinterpretation of the 1917 original, later used by Charlie Chaplin in his iconic film ‘Modern Times’. While ‘Romania’ pays homage to and equally mocks the glorification of Eastern European folklore, tracks such as ‘Post Midlife Dance’ or ‘Alte Kacker’ are gloriously self-deprecating. Their music is thrilling as ever.”
Frankfurter Allgemeine Sonntagszeitung (biggest German Sunday paper), March 5, 2017

Anarchists like the Marx Brothers the Jewish Monkeys are anything but kosher.
(Journal Frankfurt 01/03/17) +

“Tel Aviv’s impious rock & rollers see themselves as ‘Darwin’s final dillusion, the Jewish missing link of evolution’. Anarchists like the Marx Brothers they are anything but kosher. And although their two frontmen Jossi Reich and Roni Boiko originally met as choir boys in Frankfurt’s Westend synagogue, they were always more drawn to disco. The politically incorrect Jewish Monkeys are more than your ordinary klezmer punks.”
– Journal Frankfurt (Local magazine), 03/2017

No time to get all sentimental.
(AUDIO 31/03/16) +

“On ‘Mania Regressia’ the Jewish Monkeys demand listeners leave their sentiments at the door. The Tel Aviv trash combo employs an aggressive mix of cabaret, circus marches, Frank Zappa-ish horseplay and klezmer punk to shock its audiences, Jews and non-Jews alike.” – AUDIO, 04/2016

Building a Cultural Bridge between Tel Aviv and Dresden – An official statement
(Greedy for Best Music 21/01/16) +

“The concerts were a wonderful experience for the band. It was very moving to see how this ‘guerrilla event’ could magically transform the faces of these tired, fearful, uprooted and traumatised people. Young men danced the Dabke (a popular line dance in Syria) to old Yiddish songs and beaming children experienced their first rock concert. After the show they stormed the stage to touch the drums and guitars in awe. Careful at first, the band did not let the public know they were from Tel Aviv, however, some of the band members delighted their listeners with Arabic greetings and phrases of gratitude. During conversations with the public, when asked, ‘where do you come from?’, one of the band members, said: ‘Tel Aviv’. This answer did not cause animosity, but joy and surprise.”

– Greedy for Best Music

Hard times for a band specializing in klezmer-rock. A tour diary
(Die Welt 24/11/15) +

“Cooped up in a minivan, though way more comfortable than being in one of those cattle wagons from back in the days heading East, we embark towards our next destination, a street festival in Dresden. Upon arrival we face a small stage blaring Arab rap music for a bunch of belligerent looking adolescents, jumping up and down and waving their fists in the air. Then it’s our turn. We step on stage, Boiko and I share an awkward smile with the crowd, while Gael refreshes his Arabic. It all goes down as expected: They absolutely love us, singing along to our Yiddish ‘dai, dai, dais’ and dancing Dabke as if at an oriental wedding. It was delirious.”

– Jossi Reich, Die WELT (German daily)

In the end, entertainment wins.
(Badische Neueste Nachrichten 16/09/14) +

They pulled all the stops at their gig, engaging head and heart alike. They get people on their feet with familiar Balkan folk sounds and get them listening with complex rock arrangements and melancholic laments. How to describe Jewish Monkeys? A political band? Pure entertainment? Both? In the end, entertainment wins. The room is owned by ecstatic dancers.

– Badische Neueste Nachrichten

A fantastic live band in the spirit of punk
(Süddeutsche Zeitung 15/09/14) +

Jewish Monkeys pluck the flowers for their bouquet of clichés from a luxuriant garden of neuroses, burgeoning with self-irony, over-indulgent mothers and inferiority complexes. They are provocative, hounding their listeners out of their comfort zones and making them dance. Because this Klezmer ensemble living in the fast lane is first and foremost a fantastic live band in the spirit of punk. The trombone fires hot salvos at the singers while the guitar’s insistent off-beat rhythm pushes the band in the direction of Ska. Their live performance is overwhelming in its furiously unchained attack on tradition. At the anarchistic climax of the evening, Reich, Boiko and Zaidner launch Harry Belafonte’s famous Banana Boat off towards the Middle East, to bring peace to the region at last.

– Süddeutsche Zeitung (one of Germany’s leading dailies)

A Sense of Nonsense: the Anarcho-Klezmer Band Jewish Monkeys!
(Deutschlandfunk Corso 10/09/14) +

A Sense of Nonsense: the Anarcho-Klezmer Band Jewish Monkeys!

– Deutschlandfunk Corso(national German radio)

Shades of cinematic heroes such as Woody Allen
(Franfurter Allgemeine Zeitung 05/09/14) +

They ridicule the obscenities of international relations with the same tongue-in-cheek attitude they adopt toward their own culture, with a healthy mix of sophistication and anarchy. Shades of cinematic heroes such as Woody Allen, with an added dose of high-calibre party mood.

– Frankfurter Allgemeine Zeitung (Germany’s leading daily)

Mildly disturbed eternal adolescents
(Spiegel Online 05/09/14) +

The Jewish Monkeys‘ album Mania Regressia plays on Jewish clichés and anti-Semitic reality. This post-Klezmer, post-Pop, post-Alija band from Tel Aviv has created an album brimming with love, rage and joy that reveals just how they are themselves: mildly disturbed eternal adolescents with a soundtrack for the panic attacks of our time. All of which makes Mania Regressia more than just music to listen to – from old and obscure songs with new geopolitical fire, such as Caravan Petrol or the satirical hit Johnny is the Goy for Me – and instead a rollicking, joyful, despairing peal of laughter on the margins of the western world.

– Spiegel Online (Germany’s No. 1 political news website)

Spirited, disrespectful, Jewish humour at its finest
(3Sat Kulturzeit 03/09/14) +

Spirited, disrespectful, Jewish humour at its finest. A wild, cult-worthy mix of Klezmer, Balkan and Rock.

– 3Sat Kulturzeit (TV channel for Austria/Switzerland/Germany)

Trashy hits with lyrics that tumble helter-skelter between Yiddish and English
(Kulturnews 01/09/14) +

Their love songs are delightfully filthy, full of unexpected emotions and virtuoso hilarity. Jewish Monkeys wallow in trashy hits with lyrics that tumble helter-skelter between Yiddish and English. A truly international line-up!

– Kulturnews(Germany’s largest culture mag)

An eagle eye on what is happening in the here and now
(Deutschlandfunk 29/08/14) +

They really do have some political cheek – highly critical, with an eagle eye on what is happening in the here and now. They make music that cuts to the quick, and that’s what I find so exciting: really good, thought-provoking lyrics. 

– Martin Kranz, Director of the Jewish Cultural Days, Berlin

If Hitler hadn’t nearly won the war
(Frankfurter Allgemeine Sonntagszeitung 06/07/14) +

If Hitler hadn’t nearly won the war, Jewish music would sound like this: naturally stoned, fast, and madly melancholic.

– Frankfurter Allgemeine Sonntagszeitung (biggest German Sunday paper)

Racing polka beats, calypso, rumba and gutter blues redolent of Tom Waits
(Nürnberger Nachrichten 18/03/14) +

The incredible Jewish Monkeys from Israel epitomise the inexhaustible experimental drive of Jewish music. Jewish Monkeys manage, seemingly effortlessly, to transpose Yiddish songs into an impressive alternative World pop context worthy of any indie rock festival. Racing polka beats, calypso, rumba and gutter blues redolent of Tom Waits, with a dash of trombone, accordion and a distinctive guitar twang give the three singers plenty of dynamic impetus to launch their wackily irreverent, witty songs. Energetic fun that fires up the audience to fever pitch.

– Nürnberger Nachrichten (biggest Bavarian daily)

Roof-raising, rambunctious rock
(Nordbayerische Zeitung 17/03/14) +

Roof-raising, rambunctious rock by the Jewish Monkeys – three singers at once, like animators moderating between pop and funk, with a smattering of traditional songs.

– Nordbayerische Zeitung (Bavarian local daily)

A satirical emancipatory coup
(Fürther Nachrichten 17/03/14) +

The Jewish Monkeys from Tel Aviv unleash a satirical emancipatory coup at the Kulturforum with a show verging on cabaret. Tapping into the tonal syntax of the present day, klezmer strikes on a contemporary note. And the audience spontaneously goes along with it, as evidenced by their enthusiastic participation.

– Fürther Nachrichten (Bavarian local daily)

Whatever people say they are, that's what they're not
(Haaretz 07/01/14) +

At an age when most people retire, these guys are releasing their debut album – in English, Spanish, Esperanto and Yiddish. […] When three middle-aged men perform with wild abandon on stage, it’s clear to anyone watching that they have to conduct a restrained family life for the rest of the year. This is not a supergroup composed of rock stars who first came to prominence in the 1970s, nor is it a choir project of the neighborhood community center. Despite the men’s ages, the Jewish Monkeys (are) a young band at heart, whose members prove that you’re never too old to start performing.

– Ha’aretz (Israeli daily)

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Feverish

Shantel Reworks The Jewish Monkeys' "Fever"
Greedy
 

Shantel and Jewish Monkeys' frontman Josef Reich go way back. It may or may not come as a surprise then, that Shantel took matters into his own to hands to deliver a feverish remix of the band's single "Fever" off [...]

Shantel and Jewish Monkeys' frontman Josef Reich go way back. It may or may not come as a surprise then, that Shantel took matters into his own to hands to deliver a feverish remix of the band's single "Fever" off their latest album "High Words", just days before the Jewish Monkeys return the love and open for Shantel at four shows in Austria and Germany, starting this week. Check below for all four dates. 

In any case, and because we want to share a bit of the story behind, Shantel and Jossi's friendship dates back to the mid-80s, which the two spent growing up in Frankfurt and visiting some of the most popular hedonist hotspots of the time, be it Batschkapp or Eckstein or somewhere else. In 1987, Shantel founded the legendary underground club Lissania Essay, while Jossi and his entourage were among the regulars; an urban legend in the making. 

Fast forward to Tel Aviv in 1997, Shantel's home away from home and the place where their paths crossed again. Tel Aviv's melting pot of sounds became Shantel's testing grounds and Jossi? Well, Jossi most definitely shared Shantel's passion for trans-European pop culture, traditional influences and electronic experiments to be found in the city's vibrant scene. Eventually, Shantel signed Jossi and his Jewish Monkeys to his Essay Recordings label, along with Quentin Tarantino's beloved Boom Pam and Balkan Beat Box. 

"We go way back," says Jossi. "We first met in Frankfurt, then reunited in Tel Aviv. Shantel's love for Balkan and Klezmer music is really where we connect artistically. I was deeply impressed by his profound knowledge of Yiddish songs and their heritage. We probably wouldn't be here if it wasn't for him. His songs and mixes always lead to ecstasy and crazy dancing. A good concert to us is one that ends like his do," Jossi adds.

Now, 12 years later, Shantel and Jossi reunite for a 'third' time with the prior's official remix of the Jewish Monkeys' "Fever". "The idea to do the Fever remix was driven by my desire to lend the Jewish Monkeys an electronic outfit. The beat is quite minimalistic and feeds off of various genres: It's like Romanian dancehall meets hypnotic brass licks and vocal acrobatics. I even added some Romani lyrics of my own as we conjure cosmopolitan hedonism and breathe new life into Central European party culture," Shantel explains. 

As for his interest in Yiddish sounds: "The West often mistakes Jewish music for nostalgic, whiney Klezmer music. But we forget that pop musically relevant styles such as punk rock, new wave or indie had their beginnings in the Jewish emigrant circles of New York, London or Paris. This is also the tradition the Jewish Monkeys and their frivolously cynical brand of humor pay tribute to, a tip of the hat to their punk great-grandfathers from the early 20th century cabarets and speakeasies. Had the Marx Brothers ever taken to punk rock, it would sound like the Jewish Monkeys," Shantel concludes.

Listen to the Shantel remix of "Fever" via the SoundCloud player above or watch the Leo Liberman-directed companion music video below, the first-ever professional Snapchat clip shot solely on cell phone. 

Upcoming Jewish Monkeys Tour Support for Shantel:
December 14th A-Vienna @ WUK
December 15th A-Innsbruck @ Treibhaus
December 16th D-Munich @ Muffathalle
December 17th D-Frankfurt @ Batschkapp

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Disko Monkeys

The Jewish Monkeys To Support Shantel At Four Shows In Austria & Germany
Greedy

Frankfurt's one and only 'disko partizani Shantel is currently touring Europe with his famed Bucovina Club Orkestar to celebrate "Shantology - 30 Years of Club Guerilla". 

Supporting him at the last four upcoming [...]

Frankfurt's one and only 'disko partizani Shantel is currently touring Europe with his famed Bucovina Club Orkestar to celebrate "Shantology - 30 Years of Club Guerilla". 

Supporting him at the last four upcoming shows in Austria and Germany are non other than our very own Jewish Monkeys:

December 14, (AT) Vienna, WUK
December 15, (AT) Innsbruck, Treibhaus
December 16, (D) Munich, Muffathalle
December 17, (D) Frankfurt, Batschkapp

It's a family affair!

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Can You Name Them All?

A Short Animated Introduction To The Jewish Monkeys Ahead Of Their Fall Tour
Greedy

Just ahead of their upcoming tour of Germany, the Jewish Monkeys decided to drop a short, animated teaser video, introducing the band's individual creative geniuses. 

We were trying to win over the legendary Michael [...]

Just ahead of their upcoming tour of Germany, the Jewish Monkeys decided to drop a short, animated teaser video, introducing the band's individual creative geniuses. 

We were trying to win over the legendary Michael Buffer to voice these ringside announcements of the eight Jewish Monkeys. Due to monetary concerns however, we let main man Jossi Reich do the honours and introduce his band of merry men one by one. 

Check the video below and to see if you can name them all. And now, ladies and gentlemen, let's get ready to ruuummmbbbllleee! Find an up-to-date list of all upcoming Jewish Monkeys shows here and be sure to lend an ear to their "High Words".

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What's This Fall About?!

The Jewish Monkeys Announce New Live Dates For September/October
Greedy

Yes, dear friends. Playing the World Music Stage at Sziget Festival two weeks ago was an absolute blast. Take this Facebook video for instance of the Jewish Monkeys engaging their crowd in some intense physical [...]

Yes, dear friends. Playing the World Music Stage at Sziget Festival two weeks ago was an absolute blast. Take this Facebook video for instance of the Jewish Monkeys engaging their crowd in some intense physical activity. Talk about authority. 

In any case the band has just announced new Germany shows coming up in late September, early October. The Jewish Monkeys will be playing a string of shows in Wiesbaden, Konstanz, Mannheim, Viechtach, Frankfurt (am Main) and Reutlingen. So get your tuches over there. 

Find a list of all Jewish Monkeys shows here. And don't forget to bring your dancing shoes. Their current album "High Words" is available from Bandcamp.

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more

This Is Nigeria

Falz Covers Childish Gambino's Iconic Smasher "This Is America"

Following the breathtaking success of Childish Gambino's (aka Donald Glover) cutting-edge mise-en-scène of the American nations deep-seated, paradoxical and hair-raising ailments in the recently released video to "[...]

Following the breathtaking success of Childish Gambino's (aka Donald Glover) cutting-edge mise-en-scène of the American nations deep-seated, paradoxical and hair-raising ailments in the recently released video to "This is America", which is currently at over 270 million views and counting, Nigerian rapper, singer, songwriter and actor Falz The Bahd Guy (aka Folarin Falana) dropped his very own and equally impressive spin-off. 

"This is Nigeria" is Falz's take on the social and socio-economic issues facing his home country, while directly voicing his concerns with daily crime, corruption, lack of security (police stations closing at 6 pm), youth idleness, the media and religious violence. For instance there is also a scene with schoolgirls reminiscent of the Chibok students kidnapped by Boko Haram in 2014. 

A controversy ensued after the video was aired, resulting in threats by the Nigerian MURIC (Muslim Rights Concern), demanding that the "inciting" video "promoting negative stereotypes" be withdrawn and that the artist apologize. Upon which Falz's management issued a statement and many Nigerians took to social media to speak their mind. The MURIC group has meanwhile backed down, claiming it would no longer seek legal action against Falz. 

Watch the video below.

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Unathi / Zaharila

NYC's El Michels Affair Drops New Bollywood-Inspired 45
 

This one definitely caught us off guard because let's just say we weren't expecting Leon Michels to go 'World' on us. Better known under his El Michels Affair moniker, the New York-based artist garnered [...]

This one definitely caught us off guard because let's just say we weren't expecting Leon Michels to go 'World' on us. Better known under his El Michels Affair moniker, the New York-based artist garnered international acclaim for his 2009 Wu-Tang Clan cover project "Enter the 37th Chamber" and its 2017 follow-up "Return to the 37th Chamber". 

Now, the El Michels Affair returns with a new 45 on Big Crown Records that is quite unlike his previous releases. Joining forces with vocalist Piya Malik, one half of the Brooklyn band 79.5, Michels delves into the world of Bollywood Funk. And even though we had trouble grasping the lyrics, we instantly hit repeat: 

"'Unathi' reels the listener in and keeps them through a journey of psychedelic arrangements, unexpected detours, and relentless rhythm. Lyrically, 'Unathi' is a song about progress, a vociferous call to arms urging people to come together and work collectively to achieve it. Gracing the B-side is 'Zaharila', a cinematic, dynamic, and almost visual number as if it were the score to a film that’s never existed. Bent guitar notes and blaring horn stabs ride the peaks and valleys of this epic tale about poisonous whispers that destroy a beautiful love affair." 

The amazing artwork was provided by Chicago-based Deadly Prey Gallery. The original painting was made by Ghanaian artist Mustapha Kemal for the Teshie-based Loversa Video Club, advertizing the 1991 Hindi thriller "Ajooba Kudrat Ka". 

You can listen to "Unathi" in the SoundCloud player above and "Zaharila" in the Visualizer below. Big up to El Michels Affair for this one!

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Huku

RSA Rapper Sho Madjozi Drops Music Video To Blazing New Single

Back to the Republic of South Africa, where early last year up-and-coming Tsonga rapper, writer, poet, style icon and actress Sho Madjozi, aka Maya Wegerif, popped (and locked) into the local music scene, [...]

Back to the Republic of South Africa, where early last year up-and-coming Tsonga rapper, writer, poet, style icon and actress Sho Madjozi, aka Maya Wegerif, popped (and locked) into the local music scene, collaborating with the likes of fellow rapper Okmalumkoolkat and appearing in the popular youth telenovela Mzansi Magic. 

"Dazzling audiences with her audacious lyrics, confidence and bright style," she is on a mission to blend her own musical heritage with a cutting-edge approach to what's happening right now and is definitely one to have on your radar as she plans to release her debut studio album later this year. 

Madjozi's blazing Swahili single "Huku" is the track that caught our attention. Hot on the heals of her 2017 banger "Dumi Hi Phone", it tells the story of a boy who is struggling to reveal his true feelings to her. Below you can watch the brand new accompanying music video directed by Garth von Glehn.

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Colours Of The Night

Maalem Mahmoud Gania’s Final Studio Recordings
 

Hailing from the port city of Essaouira, the late Maalem Mahmoud Gania ranks among the most prolific and highly respected recording musicians in Morocco. A singer and master guimbri player (a three-stringed lute [...]

Hailing from the port city of Essaouira, the late Maalem Mahmoud Gania ranks among the most prolific and highly respected recording musicians in Morocco. A singer and master guimbri player (a three-stringed lute used mainly in traditional Gnawa music), Gania released several albums on various Moroccan labels and collaborated with international artists the likes of Pharoah Sanders (US), Peter Brötzmann (D), James Holden (UK) and Floating Points (UK).

Last year, two years after Gania's passing in 2015, Brighton-based record label Hive Mind Records posthumously released an 8-track album of his final studio recordings. "Colours of the Night" features "deep, hypnotic Gnawa songs" ranging from 8 to 11 minutes in length and marked by Gania's wailing vocals. Trance-like in form, "Gnawa is a musical and spiritual tradition originating in sub-Saharan Africa that has survived as a subculture within Moroccan society for centuries. The roots of the blues can be heard in its hypnotic rhythms." 

Colours of the Night is Gania's first album to receive a vinyl release. You can listen to album opener "Sadati Houma El Bouhala" in the SoundCloud player above or buy/stream the album in full via Bandcamp.

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Le Retour De Toto

Mythical Guadeloupe Group Les Maxel's Returns On Atangana Records
 

It's barely been a month since the new Marseille-based Afro-Disco imprint Atangana Records issued its very first release, a reissue of Haitian singer Fédia Laguerre's phenomenally reworked 1981 single "Divizion". [...]

It's barely been a month since the new Marseille-based Afro-Disco imprint Atangana Records issued its very first release, a reissue of Haitian singer Fédia Laguerre's phenomenally reworked 1981 single "Divizion". Now label head Déni Shain serves up another killer cut, being the long-awaited reissue of a classic track by the mythical Guadeloupe group Les Maxel's.

Remastered and fitted with an equally impressive B-side rework, the 1976 track "Le Retour de Toto" is a flat-out "dancefloor killer" blending zouk, latino music, beguine and calypso flavours just in time for the summer season. "When we discovered this gem with my friend Likkle Ben over a night of digging, it was mainly the keyboard break that drove us nuts ! We were already hearing the edit that we’d make for our gigs," says Déni Shain. 

The Déni Shain and Papastomp remix just premiered on Bolting Bits and you can stream the full track in the SoundCloud player above. The full release will drop on June 8th and can be acquired via Bandcamp. 

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México Mágico Cósmico

Luis Pérez Delves Deep Into Mexican Musical Traditions
 

Fresh off the press at Mr Bongo is this highly recommended reissue of Mexican musical traditions by ways of Luis Pérez. Born in Mexico City in 1951, from 1971 onwards Pérez "dedicated much of his time to the [...]

Fresh off the press at Mr Bongo is this highly recommended reissue of Mexican musical traditions by ways of Luis Pérez. Born in Mexico City in 1951, from 1971 onwards Pérez "dedicated much of his time to the research of the pre-Columbian instrumentation of Mesoamerica. He learned directly from the living sources of the music and collected samples of musical instruments and the songs of different native speakers including Maya, Nahuatl, Mazateco, Yoemem, Comcaac, Raramuri, Wixarika and more"

With a vast personal collection of native Mexican instruments and archaelogical artifacts Pérez keeps the traditions and sounds alive at regular performances, concerts, lectures, etc. 

This specific recording entitled "El Ombligo de la Luna" (The Moon's Navel) delves deep into the magical Mexican cosmos and is quite a other-worldly trip. Buy/stream the release on Bandcamp or hit play in the SoundCloud player above.

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Saigon Supersound

A Selection Of Vietnamese Funk, Soul & Latin From 1965-1975
 

About a year ago, in 2017, we issued a newsletter to our subscribers introducing a special musical project, which remains highly relevant and which we believe needs to be included in our online archive of [...]

About a year ago, in 2017, we issued a newsletter to our subscribers introducing a special musical project, which remains highly relevant and which we believe needs to be included in our online archive of extraordinary finds. Said project is the result of Frankfurt-based DJ, label head and electronic music pioneer Jan Hagenkötter's tireless efforts to put together a selection of tracks representing the so-called "Golden Era" of popular music in South Vietnam, where – under difficult circumstances – a veritable music scene flourished. That is until the large exodus of artists in April 1975, which put an end to the South Vietnamese music industry.

"'Saigon Supersound' is the story of a musical era that was almost lost," reads the first line of the project's liner notes. "This collection focuses on the South, where under 'imported' western influence a new kind of pop and rock music had developed. [...] The remaining bits and pieces were seen as 'decadent' by the communists, were disgraced and maginalized and ultimately disappeared from everyday life. Records surviving from this era are often in a sad and pitiful state, heavily scratched and full of dust so deeply engrained in the grooves as to render them virtually unplayable. [...] Nevertheless, the songs persist. Particularly among the many Vietnamese who fled their homeland these songs became classics or even hymns that were re-recorded again and again in the diaspora."

During a one-year stay in Ho-Chi-Minh City in 2011/12 and with the help of friends Jan Hagenkötter eventually proceeded to research and collect this pre-war era music, buying vinyl singles from around the world in an attempt to restore one good recording from several sources or sometimes recording directly from original reel to reel tapes, and finally put together this amazing compilation of South Vietnamese productions that clearly reveal elements from western popular music and imported styles, i.e. latin, rock or soul. Music, that "in all its simplicity, speaks directly to the hearts and souls of people". You can buy/stream the Saigon Supersound compilation from the INFRAcom! Bandcamp page, check the official trailer or just tune in via the YouTube playlist of all 18 tracks below. Also, click the SoundCloud player above for an exclusive Supersound blues mix by Jan Hagenkötter himself.

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Fenfo

Malian Singer Fatoumata Diawara Set To Release 2nd Solo Album

It's been seven years since the acclaimed Malian chanteuse Fatoumata Diawara put forth her mesmerising debut solo project "Fatou". This Friday, she releases her much anticipated follow-up "Fenfo" (Something To Say), [...]

It's been seven years since the acclaimed Malian chanteuse Fatoumata Diawara put forth her mesmerising debut solo project "Fatou". This Friday, she releases her much anticipated follow-up "Fenfo" (Something To Say), including 11 new tracks, co-produced by Diawara herself alongside singer/songwriter/guitarist Matthieu Chedid, alias –M–, a superstar in his native France, who recently won the "Best World Music Album" award at the French Grammys for his "Lamomali" project, which also featured Fatoumata. 

Internationally recognised "as one of the most beautiful voices of modern African music", Fatoumata Diawara has collaborated with the the likes of Damon Albarn, Amadou and Mariam, Bobby Womack, Herbie Hancock and Cuban pianist Roberto Fonseca in the past years and now returns, blending Wassoulou and other traditional Malian genres with elements of funk-rock, soul, blues, afropop and afrobeat elements to underline her messages on "Fenfo". "Above all, her goal is to inspire young Malians, and young people everywhere, to take matters into their own hands." (via Afropop)

Earlier this week, UK dance duo Disclosure sampled Fatoumata Diawara on their newest track "Ultimatum", which you can stream here. Below you can feast your eyes and ears on the stunning video to Diawara's swinging lead single "Nterini", created by Ethiopian photographer and artist Aïda Muluneh. "The video was shot in the Danakil Desert in Ethiopia. Aïda Muluneh was inspired by Afro-futuristic aesthetics, as well as visual elements borrowed from the Dogons, a Malian ethnic group." (via PAM). But before you do, feel free to watch the trailer to "Nterini" here. For a detailed list of tour dates and a show in a city near you, check her website

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Naino

Barcelona's Adarce Records Digs Deep Into Spanish Grooves From 1974-1984

Barcelona-based imprint Adarce Records has been putting out some great music lately, which definitely warrants a short introduction on Greedy. Specialising in "Spanish grooves, including reissues of funk, disco, [...]

Barcelona-based imprint Adarce Records has been putting out some great music lately, which definitely warrants a short introduction on Greedy. Specialising in "Spanish grooves, including reissues of funk, disco, rumba, bossa nova and library records from the 60s & 70s", Adarce has been dropping a host of impressive records and compilations to the benefit of diggers and music lovers all across the globe. 

Released at the tail-end of 2017, their fantastic 14-track compilation of Spanish gypsy soul funk and disco definitely made a lasting impression on us. "Naino!" is dedicated to "the fusion of black music and gypsy music" created in Spain between 1974 and 1984 and focusses "on a breakthrough movement that was started by 'rumberos' and 'flamencos' by mixing soul, funk and disco" that enabled "musicians to explore new sounds and discover links between these two well-known musical traditions".

You can listen to the entire compilation in the YouTube playlist below. For reference we've included a detailed tracklist below. Enjoy!

1) Marian Conde - Tómame que tómame
2) Juan Bautista - Naino naino
3) Los Maravilla - Ven ven vente
4) Dolores Vargas - Déjalo
5) Paca y Manuela - Dímelo
6) Chele - Libre como el viento
7) Lola Flores - Cómo me las maravillaría yo
8) Perlita de Huelva - Mi almohada
9) Morena y clara - Para vivir así
10) Trigal - Vente conmigo
11) Las Deblas - Zorongo
12) Rumba tres - Buscaremos un rincón
13) Tobago - Toquiliquitón
14) Chipén - Volao

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Eastern Soul

Fortuna Records Issue Four-Track 12" By Yemenite Jazz Legend Tsvia Abarbanel

Back in 2012 Tel Aviv's prolific Fortuna Records imprint released its first 7" record. Yemenite jazz legend Tsvia Abarbanel's "Soul Of The East" EP featured two tracks and has been highly sought-after ever [...]

Back in 2012 Tel Aviv's prolific Fortuna Records imprint released its first 7" record. Yemenite jazz legend Tsvia Abarbanel's "Soul Of The East" EP featured two tracks and has been highly sought-after ever since. 

After digging up another one of Abarbanel's tracks that was included on their 2017 compilation of obscure Yemenite-Israeli funk, Fortuna Records now released a much anticipated EP entitled "Eastern Soul" with four super rare tracks by Tsvia Abarbanel.

"Privately pressed by Tsvia in 1970, this was the first-ever attempt at combining traditional Yemenite compositions with funk and spiritual jazz." You can stream the entire release in the SoundCloud player above and/or buy the EP via Bandcamp. Rest assured, this is a special one!

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Mawu

Argentina's Muno Releases Entrancing Debut EP Of Tribal Slowhouse
 

It's summertime here in the Western hemisphere and so at times, life slows down as we spend more and more time back in the outdoors, cherishing those moments in the sun, taking in life's treats to the fullest. Call [...]

It's summertime here in the Western hemisphere and so at times, life slows down as we spend more and more time back in the outdoors, cherishing those moments in the sun, taking in life's treats to the fullest. Call it a perfect fit for the downtempo experimental electronics that rising Argentinian producer Muno has been dropping. 

Deemed slowhouse with an ethic, tribal touch, Muno just released his debut EP "Mawu" on São Paulo's Tropical Twista Records and it is absolutely entrancing: "Mawu is related to fertility, motherhood, kindness, forgiveness, rest and joy. It's the feminine half of the creator god Mawu-Lisa. It is associated with aspects of the world related to the earth, the west, the moon and the night," reads the description, as Muno effortlessly creates "a collage of ancient rhythms blended with fine modern electronica"

There is a rare musical magic to be found in these cutting edge concoctions, flashing archaic colours in surprisingly familiar fashion. You can download the entire four-track EP on a 'name your price' basis from Bandcamp or stream it in the SoundCloud player above.  Also, visit Muno's SoundCloud page for more of his production work.

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Goy Boyro

Mali’s Samba Touré Drops Poignant Music Video Off New Album

"We have our own blues band. It isn't bad; it only sounds that way," reads the opening line in Malian singer and guitarist Samba Touré's brand new music video to "Goy Boyro", the opening track off his forthcoming [...]

"We have our own blues band. It isn't bad; it only sounds that way," reads the opening line in Malian singer and guitarist Samba Touré's brand new music video to "Goy Boyro", the opening track off his forthcoming third longplayer on Glitterbeat Records. And indeed, the first sounds that hit you are not what you might expect: 

“It’s contemporary music from Mali,” Touré insists. “Maybe our traditional music has changed. We live all in the same world wherever we are on that planet, we all have the same music on radio or TV, we hear the same music in movies, so even if we don’t really know what’s rock music in Mali, we hear some everywhere every day, it has become part of our inspirations, easy inspirations because it’s sometimes so close to what we do traditionally. If you attend a traditional ceremonies in villages north of Mali, you’ll see that musician always use distortion at maximum level but they don’t know anything about rock or blues. But believe me they do some. And desert blues…to me it’s a way to name music from the region north Mali, Niger or Mauritania but it has no more sense.” 

What's even more remarkable is the companion music video to "Goy Boyro", which poignantly showcases "the spirit connection between West Africa and Afro-American culture as well as the scourge of racism," as we revel in the music. Watch the full video below. Samba Touré's new album "Wande" (The Beloved) releases May 25th. 

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