Klezmer and Caribbean rhythms meet film scores.
(Celtic-Folk-Punk Blog 27/03/2013) +

“They play their own music in which klezmer and Caribbean rhythms meet film scores. There are no vocals, but they don’t need them. Their music is intended for dancing and they create atmospheres.” – Celtic-Folk-Punk Blog

From Balkan motives to cat's wailing.
(Habama 21/10/2012) +

“MALOX – Eyal Talmudi’s crazy and impossible duet generates totally energetic music that fills the stage from Klezmer to Jazz. Warm and round sounds blend in distorted sounds. From Balkan motives to cat’s wailing. A crazy yet fascinating act” – Amos Oren, Habama

Referencing the Klezmer legacy.
(All About Jazz 11/01/2008) +

“The bulk of Talmudi’s original compositions reference the Klezmer legacy. His energetic arrangements spice them up with updated sonic elements, including a bit of thick, and dub-influenced sax choir” – Eyal Hareuveni, All About Jazz