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Jewish Monkeys

Mania Regressia

Caravan Petrol 

Caravan Petrol / I want control / Nissan Patrol 
Remote control / Caraca-racara… / Caravan Petrol 

Oy isn’t it an oily planet? /Money feeds the oily expectations of the oil-consuming nations / Leads to global exploitation / I used to be a motherfucker, not knowing what to do in life/I was looking for sensation / In the army of salvation/ But they didn’t have a clue/If only they would see/ How clean the world could be/If they just exchanged the oil for solar energy / Wouldn’t it be nice? / If I went to paradise / Leaving earth a better place /Unspoiled by human race / 

I used to be a motherfucker /Not knowing what to do in life / I was living in disguise / And was hiding from my wife / Desperately wandering in the desert/Trying to purify some water/ But instead I met the daughter / Of the Sheik who owned the well / Well well well well! Fatima Morgana / I showed her my banana / We listened to Santana / This desert is Nirvana / Fatima Morgana /Was licking my banana / Erupting a Fontana / Her Papa was in oil / oyoyoyoyoy Oil /I start to like the goil 

He needed the sheik’s water/ But instead I fucked his daughter / Now the sheik he wants to slaughter / Everyone who fucks his girl / A little defloration /That was such a big sensation / Had to take her for my wife / To escape her Papa’s knife / Kni kni kni kni kni knife / The best chance of my life! 

(instrumental intermezzo) 

If only it could be / That the oil belonged to me / I would sell this whole Nirvana / And end my misery / Be rich eternally / Fuck solar energy / And all humanity / If only they could see / That the king of oil is me / And my oily queen is Fati.. Fatima Morgana/ Ala ala ala / I want her Papa’s car / I’m going to be a star/ I don’t give a shit about pollution / Only the petrol distribution / Is the only right solution / Stop this eco-revolution

Black but Sweet 

What is the woman and you will see, a nice black woman they call Didi / When she presses sweet lips to mine / I said Mammy kiss Pappy all the time 

She is black and only and that is all / She is black and only and that is all / When men meet her, they bound to fall / Until her Mammy doesn’t sleep, oh Lord 

What is the woman and you will see / A nice black woman they call Didi / when she presses sweet lips to mine / I said Mammy kiss Pappy all the time / Didi is that bright of my heart / I felt so funny with her to part / The people in the country of Caroline / can tell how Didi loves Houdini 

Young boy think that they fight for me / Don’t put yourself into difficulties / For it is for this positive fact / The sweetest women in the world of luck / Don’t you mind when you get up old / It’s for never mute, keep cost in your soul / With your black baby you are born to stay / You cannot leave her and go away 

I said Didi, I’m going away / But no longer I cannot stay / Mammy as it is, for this is fact / Sweet Houdini soon is coming back

Luba Lubaviczer 

Petrosilia / Che Guevara 
Rojte Paprika / Mata Hari 
Superwomen / Metaplastik 
Mamographia 

LUBA LUBAVICZER 

Krimme Fiess / Groisse Zitzkalach / Ciciollina 
Mania Regressia / Pizda Kurva 
Kama Sutra / Pseudo Palavra 

LUBA LUBAVICZER 

Luba, Luba, Luba, Luba!! / 
Dayne Oygn hobn sech arayngedrayt in mayne Nishume/ Und ich bin im / Ganzn meshigge gewordn / Oy oy oy oy 

(English): 
Luba, Luba, Luba, Luba!! / Your eyes crashed into my soul/and I became totally crazy/Oy oy oy oy 

Papirossen / Hare Krishna 
Cucarracia / Hiper Histeria 
Noch a zingale / Semi Conductor / Toda la Noce 

LUBA LUBAVICZER 

Alte Kretshme / Poco poco 
Trichomonas / Sensationell 
Psychotherapia / Hysterectomy / Apoplexia 

LUBA LUBAVICZER 

Luba, Luba, Luba, Luba!! / As du kishst mech, brennt a fayer in mir / Oy oy oy oy 

(ENGLISH): When you kiss me, a fire burns in me/ Oy oy oy oy 
Schoyn avek der Nechten / Noch nisht du der Morgen /Es is noch du a bissale Haynt / Ster ihn nisht mit Sorgen 

(English): 
Yesterday is already gone / Tomorrow is still not there /There is still a little bit of Today / Don’t disturb it with sorrows

Johnny is the Goy for Me 

“Johnny is the goy for me” /This is what she said to me … 

“Tall and blond / His eyes are blue / He fucks like hell /Doesn’t smell” / Oy, vey Jossl can’t you see?/ “Day and night / I think of him/ He rides a horse / He goes to the gym” /This is what she said to me … 

DaDai… 

“Johnny is the goy for me” / So I said “Nuuu? Why not a Jew?” 

“All the day / You count and pray / You promise the moon/And come too soon” / Oy, vey, Jossl, can’t you see?/ “You bring no check / Got hair on the back / You snore at night / Mama was right”/ Jossl, you’re no joy for her 

DaDai… 

(Intermezzo): 
Jossl is no joy for her / For Johnny Goy she’s just a toy 

I jumped from a tree / I broke my knee / I rode a bike / Even fucked a dike / Nothing’s good enough for her/ But now I found my Suzy Jane / She can’t do Tshulent / But never complains / For Sue I’m not a lousy Jew / For Sue I’m like a Johnny too 

DaDai…

So Nice 

Louis was a financial fart/Spent all his money eating tart / It made him fat and stopped his heart/ Financial fart was not so smart 

Everything’s so nice / Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice 

Terry was a terrorist/ Couldn’t handle his father’s fist / The people thought that he’s a joke / Some of them went up in smoke 

Everything’s so nice / Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice 

Everything’s so great/ Just enjoy your fate / Everything’s so great/ Just enjoy your fate/daidaidai… 

Jezebel she couldn’t smell/ Her father’s breath was responsible / When he touched her in the loo/ She lost her other senses too 

Everything’s so nice/ Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice 

Everything’s so great/ Just enjoy your fate / Everything’s so great/Just enjoy your fate/daidaidai… 

Geraldine had a spleen/Everything had to be clean/She was never satisfied/ ’Cause the shit came from inside /…From inside… from inside…from inside… 

Everything’s so great/Just enjoy your fate / daidaidai… 
Everything’s so great/Just enjoy your fate/daidaidai… 

Don’t you mind your enemies /Enemas and bumble bees/ Love your neighbor, kiss your wife/ You will probably meet them in the afterlife 

Everything’s so nice/ Oy, it’s just so nice / Isn’t it paradise? / Some people eat just rice

Misirlou 

(Yiddish) 
Vayt in dem midbar / Fun heyser zin farbrent/ Hob ikh amol a meydele dort gekent / Misirilou heyst zi/ Yeder dort veyst zi gut/ Kh’vel di printsesn mer shoyn fargesn nit. 

Far in the Desert/ Burnt by the hot sun /I once knew a girl / Misirilou was her name / Everybody there knew her / I will already not forget the princess 

(Yiddish) 
Shtil, ovent kil, Un ikh fil az ikh vil mayn gefil /Far ir oysgisn un zi zol visn nor, Az nor zi lib ikh, Mayn lebn gikh ir, yo / 

Silence, cool evening, And I feel / That I will my feeling 
Spill out in front of her / And she should know / That only her I love / My life I give to her 

(Yiddish) 
Her, s’iz mir shver, Mit a trer zog ikh dir un ikh shver / Midber printsesn, kh’ken nit fargesn dikh / Kum hayl mayn benkshaft, nor di kenst hayln mikh / 

Listen, it is difficult / With a tear, I tell you / And I swear 
Desert princess, I cannot forget you / Come heal my longing / Only you can heal me 

(Yiddish) 
Misirilou mayne, meydale fun orient, Di oygn dayne hobn mayn harts farbrent / Mayn harts vert kranker, in chulem sey ikh dikh/ ants far mir shlanke /Drey zikh geshvind gikh. Midber printsesn, kh’ken nit fargesn dikh / Kum heyl mayn benkshaft, nor di kenst heyln mikh / Mayn mizrakh, blum misirilou 

My Misirilou, girl from the orient / Your eyes have burnt my heart / My hearts gets sicker / In my dreams I see you / Dance in front of me, my beautiful / Turn around even quicker(Desert princess, I cannot forget you / Come heal my longing / Only you can heal me 

My eastern flower, Misirilou

Heat, Meat, Beautiful Feet 

Sitting in my back yard /Everyone’s here / Trying to get the fire start / Listening to my friends fart / Uzi gets stoned / Moishe likes beer / Uzi’s wife wished he had Moishe’s career/ Mama is excited – I’m feeling so alone / Watching my dogs – chewing on a bone/ My lips are swollen and my head is numb / The sun is boiling /I had too much rum 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need? 
Meat, heat – beautiful feet / Oy a mechaye – is it guilt, is it greed?

It couldn’t be much better / There’s pressure in my chest / Everyone is boring / The dogs are depressed 

Never wanted to become one of those / Why are the kids always pulling my nose? 
The drinks are warm / The girls are lame / The guys are laughing, I am getting insane/ Life is too long / And it’s mostly cruel / My prostata is burning /I wish I had a pool/ 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need / 
Meat, heat – beautiful feet / Oy, a mechaye – is it guilt, is it greed? 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need? 

Meat, heat – beautiful feet / Oy, a mechaye – is it guilt, is it greed? 

I wonder why the women that I love / Always have to live with the men I hate/ 
Maybe a fancy house is enough / To make them believe that these shmocks are great/ I’m asking for a hand, doing me a favor / But she’s always busy with her pussy-shaver/ I should’ve sticked to my family’s taboo – / “Never mar ry a woman uglier than you” 

Meat, heat – beautiful feet / Oy, a mechaye – what more do I need? 

Meat, heat – beautiful feet / Oy, a mechaye – is it guilt, is it greed? 

Suddenly everyone’s a little bit stressed / The neighbor’s daughter is practically undressed But I will stick to the rules of the game /’ Cause “EDIPUSSY” is my second name

Banana Boat vs. Hava Nagila 

Day oh, Day oh / Daylight come and we wanna go home / Day is the day is the day is the day is the day is the day oh ho hou / Daylight come and we wanna go home 
Announcer: Wait a second. Why do you wanna go home yet? / You want a peace in the Middle East?? 
The two Jews: Don’t they say, make love not war 
The Arab: Leave our land, and we won’t break your jaw 
The two Jews: They killed us in Europe, we need real estate 
The Arab: You gave us the Nakba, now go get your fate 
The two Jews: For 2000 years we are longing for Jerusalem 
The Arab: Al-Quds is ours, Al-Aqsa won’t fall 
The two Jews: For 2000 years we are longing for the Promised Land 
The Arab: Since Muhammad we had the upper hand 
The two Jews: For 2000 years we are longing for Zion, 
The Arab: We don’t have a chance but we fight like a lion 
The two Jews: We are the chosen, the people of God 
The Arab: We’re blessed by Allah!!! Eternal Jihad 

Day oh, Day oh / Daylight come and we wanna go home / day it’s the day oh… / Daylight come and we wanna to go home 
Announcer: Actually, Why don’t we live in peace and harmony / like in Harry Belafonte’s Banana Boat / Look there is a Russian, an Indian, an African, an American 

I work all night and I drink all rum / Daylight come and we wanna go home. / Come Mr. Tallyman, tally me banana / 
Daylight come… 

A beautiful bunch, a ripe banana / Daylight come… / Hide the deadly black tarantula/ Daylight come… 
day it’s the day oh… / Daylight come and we wanna to go home 

It’s six foot, seven foot, eight foot, bunch! / Daylight come… 
Daylight come and we wanna go home 
Announcer: Did you see? / They are singing and dancing together /In fuck’n peace and harmony, Like in Harry Belafonte’s Banana Boat 

Let’s take the Banana Boat to the fuck’n Middle East

You, You and You 

I am so desperate / I cannot separate / Just don’t know what to do / It’s not my fault, 
That you confuse me / And you – you confuse me too 

Is it possible ?/ You think there’s someone else / And it tears my heart in two / You must believe it / For me there’s only one / And that’s you, you and you 

You got to choose / You just have to decide / You got to choose / Which one of us is right, is right, is right 

You say you love me/ But you don’t trust me / You say I have to decide / I would do anything /But my love for you / I can never divide / You don’t believe me / You misconceive me / What do you think I do? / I am not ambivalent / There’s no equivalent / To either one of you 
You got to choose / You just have to decide / You got to choose / Which one of us is right, is right, is right 

Misty psychics, psychiatrists and my cleaning woman, too /They do all agree / Unequivocally / That I am crazy about you / In my diary / In my testament / And my shopping list too / This one and only line / I never redefine / Just says you, you and you 

You got to choose / You just have to decide / You got to choose / Which one of us is right, is right, is right 

If I must choose / There’s no doubt what to do / If I must choose / My choice is you, you and you

Add It Up 

Why can’t I get just one kiss? / Why can’t I get just one kiss? / Believe me there’s something I wouldn’t miss, but I look at your pants and I need a kiss. 

Why can’t I get just one screw? / Why can’t I get just one screw? / Believe me I know what to do, but something won’t let me make love to you. 

Why can’t I get just one fuck? / Why can’t I get just one fuck? / I guess it’s got something to do with luck, but I’ve waited my whole life for just one… 

Day after day I get angry and I will say / that the day is in my sight, when I’ll take a bow / And say good night. 

Oh ma ma ma ma ma Mom / Have you kept an eye, an eye on your son / I know you’ve got problems/ You’re not the only one, when your sugar left / he left you on the run. 

Oh ma ma ma ma ma Maminyu 
Take a good look what your boy has done / He’s walking around like he’s number one / He went downtown and got him a gun. 

Don’t shoot shoot shoot that thing at me / Don’t shoot shoot shoot that thing at me / You know you’ve got my sympathy, but / don’t shoot shoot shoot that thing at me. 

Oh ma ma ma ma ma ma Mother / I would love to love you lover / The city’s restless, it’s ready to pounce / Here in your bedroom ounce for ounce. 
Oh ma ma ma ma ma ma ma Maminyu / I would love to love you lover / The city’s restless, it’s ready to pounce. / Here in your bedroom ounce for ounce. 

I am giving you decisions to make, things to lose, things to take / Just as he’s about ready to cut it up, / I said “wait a minute honey, I am gonna add it up” 
Add it up Add it up Add it up… 

Day after day I get angry and I will say / that the day is in my sight, when I’ll take a bow / And say good night.

Live Music

Rumania @ Vienna Accordion Festival 
Johnny is the Goy for me @ Nachtleben Frankfurt 
Heat, Meat, Beautiful Feet @ Furth 
Add It Up @ Vienna Accordion Festival 
Hit me with your Rhythm Stick @ Furth 
Luba @ Fuerth 
Papirosen @ Vienna Accordion Festival 
Titina @ Fürth 

Holy Oxygen II

Vienna's Affine Records Unleash Okmalumkoolkat's Groundbreaking Second Instalment

Available as of today is a different project of sorts, different in the sense of what we usually post on here and different in the literal sense, as in 'I am not sure I have ever heard anything quite like this [...]

Available as of today is a different project of sorts, different in the sense of what we usually post on here and different in the literal sense, as in 'I am not sure I have ever heard anything quite like this before'. Hailing from Umlazi, Durban, South African rapper Simiso Zwane, aka Okmalumkoolkat, puts forth his second "Holy Oxygen" instalment on Vienna-based left-field electronic imprint Affine Records, featuring relentless and forward-thinking production work by his label mates Cid Rim & The cloniOUs.

While we first heard of Okmalumkoolkat in 2012, when he featured on South London dance trio LV's Hyperdub-released debut full-length "Sebenza" and were instantly drawn to his unique lyrical swagger, his "Holy Oxygen I" EP (2014) unfortunately escaped our notice. That being said, here comes "Holy Oxygen II" and it is nothing else than groundbreaking. Luckily, Affine Records delivered a track-by-track description along with the EP so that takes some work off our hands in terms of attempting to describe this mind-melting sonic fusion:

Kicking things off is "Straight To The Top": "The futuristic Gqom-inspired instrumental reflects on the last years of Okmalumkoolkat’s career, during which he has steadily increased the number of audiences for his zharp lyrics, his champion fusion of languages and contents as well as his out of this world dance moves." 

Qqom in case you were wondering is a movement that has been taking over the coastal city of Durban, described "as a more 'minimal' and 'raw' variant of South African house, most frequently heard blasting from teenagers’ Blackberrys. Evolved from Kwaito, tribal house and skeletal hip-hop influences, gqom – a word meaning 'hit' or 'drum' in Zulu, which is appropriate for such a stripped-back percussive palette".

Up next is "Zweitbester", which "takes the crew on a journey around the world, bringing Holy Oxygen Jazz tothe far out corners of Planet Earth, [while] distinctive, warped chords and an uplifting-forward house-inspired feel build the foundation for a lit up anthem", only to be followed by "Isimangaliso", equipped with "an intensely condensed instrumental [that] provides the red soil for Simiso’s verbal graffiti, steadily building up into numerous crescendos". And then finally, the grand finale, aka "Shark Attack", serving as "a further example of the trio’s trademark fusion of worlds, opened by a distant chord assembly it develops into a wild, claustrophobic, psychedelic song that is bound to [make a lasting impression on listeners around the globe]". That being said, you best blast this on your headphones

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This Is Highlife!

Avid Digger Thorsten Bednarz Puts Together An Outstanding Mix Of Rare Ghanaian Vinyl

Once every month, we here at Greedy are particularly keen on turning our proverbial dial to German national radio station Deutschland Radio Kultur, where our friend Thorsten Bednarz hosts the weekly Tonart Weltmusik [...]

Once every month, we here at Greedy are particularly keen on turning our proverbial dial to German national radio station Deutschland Radio Kultur, where our friend Thorsten Bednarz hosts the weekly Tonart Weltmusik show for world music and global grooves. Thorsten is a self-proclaimed "desperate record collector of mainly African grooves" and our personal digger/selector of choice.

For his latest show, he put together a brilliant mix of rare Ghanaian highlife records entitled "This Is Highlife!" with tracks by the Ramblers Dance Band, Kwadwoh Donkoh and his Abokyi Parts, Broadway Dance Band, Precious Jewels, African Brothers International and many more:

"This is a mix to celebrate the beauty of original highlife music. As Fela Kuti said: If you want to understand and to play afrobeat, you have to understand and to study highlife from Ghana first. In this mix you find classic recordings from E.T. Mensah next to almost unknown recordings. All the songs come from the original ghanaian records - no reissues! Many of these songs are from old 45s and were never ever published on an album." Listen here.

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I Saw You

Man Recordings Drops New Video To Forthcoming Samito Single + Free Daniel Haaksman Remix
 

One of our favourite purveyors of Neo-African club tunes, aka the notoriously relentless Daniel Haaksman, is back at it and once again laying proof to his undeniable 'goût' as a selectah and able producer: [...]

One of our favourite purveyors of Neo-African club tunes, aka the notoriously relentless Daniel Haaksman, is back at it and once again laying proof to his undeniable 'goût' as a selectah and able producer: Releasing on March 24th via his very own Man Recordings imprint is a catchy new "trans world Afro house and electro inspired club tune" by Canadian-Moçambican singer Samito. "I Saw You" is a song of lost love that takes a surprisingly harsh turn in the recently released companion video, which you can watch below. 

Samito himself is currently a on a roll. Having lived in Maputo, Cape Town and Montréal, the singer/songwriter, producer and performer has increasingly made a name for himself with his "distinct blend of electro, afro and indie vibes". His 2016 hit production "Tiku La Hina" released on Costume Records and propelled him to international acclaim on the global club circuit, only to be followed by "Cem Cem (feat. Mabika & Muneshine)", which released on French fashion & music label Kitsuné. Reconnecting with the mighty Mabika on "I Saw You", Samito is set to create yet another global stir in 2017. Mabika the "renaissance-man, is a performer, recording and VFX artist", who adds his big Lingala vocals to the mix, a language of Congolese provenance.

"I Saw You" is now available for pre-order via iTunes. The release includes three international remix treatments by Daniel Haaksman, London producer Mina (of Enchufada fame) and last but not least Nairobi's Jinku (East African Wave posse), bringing you the new sound of Kenya. Listen to Daniel Haaksman's dancefloor-friendly Afro house rework in the player above. As of today the track is up for grabs via SoundCloud, just in time for the weekend!

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Sunday News

Days Before Their Upcoming Germany Tour The Jewish Monkeys Land Coverage In Germany's Leading Sunday Paper
Greedy

Just days ahead of their upcoming Germany tour the tireless Jewish Monkeys land extensive coverage in Germany's leading Sunday paper, the Frankfurter Allgemeine Sonntagszeitung. The full-page article by Jörg [...]

Just days ahead of their upcoming Germany tour the tireless Jewish Monkeys land extensive coverage in Germany's leading Sunday paper, the Frankfurter Allgemeine Sonntagszeitung. The full-page article by Jörg Thomann arrives just in time for a string of live performances to take place across seven German cities over the next seven days. You can find a detailed list of all upcoming gigs in our designated 'Shows' section. As for the eloquent write-up, well it's German only and it's a long piece, so unfortunately we will not be able to translate the entire article for you. However, the opening sentence does set the tone: 

"The Jewish Monkeys are a band, that has yet to experience its breakthrough, which is actually fantastic for them. Not from a commercial standpoint, not at all, but very much so artistically."

Head over here for the entire read and make sure to catch this 'cage aux folles' live on a stage near you, if you happen to be in the area that is. And for all you non-German-speakers out there, we leave you with these awkward moments of silence by yours truly.

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The Om Factor

Luaka Bop To Release Spiritual Compilation By Alice Coltrane Turiyasangitananda
 

Although we usually don't cover the big names and rather try to circumvent the at times overpowering Anglo-American grasp on so-called popular culture, we could not deny the latent 'Om' factor underlying this [...]

Although we usually don't cover the big names and rather try to circumvent the at times overpowering Anglo-American grasp on so-called popular culture, we could not deny the latent 'Om' factor underlying this historic, soon-to-be-released compilation by New York-based imprint Luaka Bop (does William Onyeabor ring a bell?), covering ecstatic music by a certain Alice Coltrane Turiyasangitananda. Yes, that is THE Alice Coltrane, who was once married to the late jazz great John Coltrane and was a brilliant musician in her own right, with prominent releases dating back to her Impulse! solo debut "A Monastic Trio" released in 1967, coincidentally the year of John Coltrane's death. (Here's an extensive yet worthwhile follow-up read by Pitchfork's Andy Beta)

Alice Coltrane Turiyasangitananda was a spiritual person to say the least. Spirituality as a matter of fact shaped and guided the last four decades of her life, an often overlooked process that began during her four-year marriage to John Coltrane and continued well thereafter. In 1983 for instance, Alice laid the groundwork for the Sai Anantam Ashram on the outskirts of Los Angeles, where she began to record and release music on private cassette tapes to distribute within the spiritual community.

On May 12th, Luaka Bop is now set to release a compilation consisting of said recordings, thereby making eight of these songs available to the wider public for the first time ever. The 2LP vinyl release will even contain two more songs than the digital, CD and cassette releases. All songs were derived from four cassette tapes, recorded by Alice between 1982 and 1995, respectively entitled "Turiy Sings", "Divine Songs", "Infinite Chants" and "Glorious Chants". This historic compilation will be released as the first volume of Luaka Bop's "World Spirituality Classics" series of essential spiritual music. For more information, visit the release page. As for a sneak preview, see the video below or check our SoundCloud player above for the full version of Alice Coltrane Turiyasangitananda's "Om Shanti". Om.

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Thai Psychedelia

A Short Introduction To Khun Narin's Electric Phin Band

Sure, there's a lot of hype surrounding this group of contemporary Thai villagers, though there just may be some truth in people claiming this to be one of the greatest musical discoveries...wait for it...ever! But [...]

Sure, there's a lot of hype surrounding this group of contemporary Thai villagers, though there just may be some truth in people claiming this to be one of the greatest musical discoveries...wait for it...ever! But let's not get ahead of ourselves. The short version of their story is this: In 2011 a group of Thai musicians, later to be known as Khun Narin's Electric Phin Band, uploaded a video of them wheeling a seemingly decrepit homebuilt soundsystem through a remote village, playing "some of the heaviest Psych known to mankind". This was literally too good to be true! The video captioned "MINDBLOWING PSYCHEDELIA FROM THAILAND" later went viral (following a post on the Dangerous Minds Blog) and in 2013, they were signed to L.A. imprint Innovative Leisure, where they've released two albums to date, both available from Bandcamp

"The music they play is called phin prayuk. The first word refers to the lead instrument, a 3-stringed lute known as the phin. The phin player, uses a string of Boss effects pedals, including a phaser, distortion and digital delay to get his sound. He also builds his own instruments, installing Fender pickups into hand-carved hardwood bodies, with elaborate mythical serpents adorning the headstock. The band takes pride in their custom PA system, as well as an imposing tower of 8 loudspeaker horns atop a huge bass cabinet. Khun Narin's Electric Phin Band's membership is always in rotation and spans several generations, from high school kids to men well into their 60s. A standard engagement has the band setting up at the hosting household during the morning rituals, playing several low-key sets from the comfort of plastic lawn chairs occasionally working in a cover version of a foreign classic (The Cranberries 'Zombie' is a favorite) while the beer and whiskey flow freely. After a mid-day banquet, they start up the generator and lead a parade through the community to the local temple, picking up more and more partiers along the way."

There's obviously more to the story and a lot more to be said about this enigmatic formation of, well, everyday guys of sorts. But for now, here's a short video piece to give you a better impression of the group and offer a glimpse of the Khun Narin experience, brought to you by ways of the Great Big Story.

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100 Years Of Yiddish Bangers

DJ Yuriy Gurzhy Presents A Swinging Mix Of 'Shtetl' Digs
 

This March is going to be absolutely mad, as the Jewish Monkeys embark on their annual tour to 'jewnify' Germanistan. On March 11th they land in Berlin for a special night of Purim festivities. Purim is a Jewish [...]

This March is going to be absolutely mad, as the Jewish Monkeys embark on their annual tour to 'jewnify' Germanistan. On March 11th they land in Berlin for a special night of Purim festivities. Purim is a Jewish holiday to commemorate the saving of the Jewish people in the ancient Persian Empire from their nemesis Haman, who, like so many others before and after him, wanted the Jews wiped off the face of this earth.

Today, Purim is celebrated as a sort of Jewish carneval, which brings us back to March 11th and an exclusive Purim Party taking place at Berlin's Roter Salon and featuring said Jewish Monkeys as well as the one and only Ukraine-born/Berlin-based DJ Yuriy Gurzhy (RotFront, Shtetl Superstars Orchestra et al), musician, DJ, producer, radio broadcaster and organiser of the now legendary Russendisko club nights, alongside acclaimed writer Wladimir Kaminer. 

Just ahead of the gig, Gurzhy re-released his superb 18-minute mix of 'Yiddish Bangers', which we are more than happy to share with you today. Tune in to the SoundCloud player above for this swinging selection of 'shtetl' sounds and do join the upcoming Purim festivities, if you get a chance.

 

 

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Liquid Love

Onom Agemo & The Disco Jumpers Testing The Limits Of Afrofunk With Album Number Two

Releasing today on Agogo Records (who rarely disappoint) is new heat by the fabled Onom Agemo and The Disco Jumpers, a contemporary afrofunk five-piece out of Berlin, combining traditional and modern African music [...]

Releasing today on Agogo Records (who rarely disappoint) is new heat by the fabled Onom Agemo and The Disco Jumpers, a contemporary afrofunk five-piece out of Berlin, combining traditional and modern African music with elements akin to their own musical heritage such as psychedelic synth excursions, slices of freejazz and minimalistic grooves to meet any audiophile's needs.

Out now, is their eagerly awaited sophomore album "Liquid Love", a mesmerising, 9-track work of vibrant passion, overflowing with dense musicianship, playful improvisation and pulsating rhythms, drawing listeners in from the start. The album's title track, for instance, will have you second guessing if 33rpm was the right choice, as the viscous melody flows on, dragging lusciously towards infinity. Watch the official music video below. 

"The (entire) album incorporates bits and bops from the past, present and future, drawing influences from both very familiar and also far away places. Just to name a few, there’s Krautrock, AfroFunk, traditional Moroccan Trance, Future Jazz and much more to be found. The Beatles excluded, though," the release page reads. 

Onom Agemo and The Disco Jumpers are the globetrotting Johannes Schleiermacher on sax, woodwinds and modular synth, Jörg Hochapfel on old organs and analog synths, Kalle Zeier on guitar and vocoder, Kalle Enkelmann on bass and microphones as well as Bernd Oezsevim on drums and cymbals. Adding to the mix are selected guest vocals by Maria Schneider, Natalie Grefel and  Olga Xavier, mainly on the elaborate, four-part suite "Somebody".

"Liquid Love" is definitely a body of work to dance to, to dream to, to dive into, to get lost in, to fantasise about and, well, we're sure you're going to find even more ways of putting these somewhat mystic and abstract yet highly infectious compositions to good use. That being said, do yourself a favour and listen to the full release as often as you can. Feel free to let us know, when the effect wears off. We sincerely doubt it will.

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Dancing To Nothing

MALOX Add Assaf Talmudi To The Mix And Unveil Raucous Live Studio Take
Greedy

BREAKING: Our favourite two-man wrecking crew... Wait a minute. Re-wiiind! Make that a three-man wrecking crew. Yes, you heard right. MALOX, our favourite three-man wrecking crew, has evolved and will be performing [...]

BREAKING: Our favourite two-man wrecking crew... Wait a minute. Re-wiiind! Make that a three-man wrecking crew. Yes, you heard right. MALOX, our favourite three-man wrecking crew, has evolved and will be performing as a trio from now on. Joining the musical one-two punch of Eyal Talmudi (sax, clarinet, bag-pipes) and Roy Chen (drums) is Eyal's brother Assaf Talmudi, who will add his keyboard genius and electronic flair to the already potent mix we witnessed on the combo's latest LP "Gaza Trip".

This literally opens up an entire new realm of possibility, which has us twitching nervously in anticipation of what's to come. That being said and if only to put our restless souls at ease, the new and improved three-piece just released a brand new studio video, recorded and performed live at Slik Studios in Tel Aviv and even including what looks to be a vocalist. You decide.

The video is called "Dancing To Nothing" and is a rawer, more straight-forward take on a previous collaboration between Eyal Talmudi, Roy Chen and Buttering Trio's Rejoicer, released via Time Grove Selections on a record called "Saved My Eyes From Tears" (featuring Omri Mor). New MALOX member Assaf Talmudi, by the way, is a leading producer, composer and instrumentalist on the Israeli pop and experimental circuit and has produced albums for the likes of Berry Sakarof, Ehud Banai, Shlomy Shaban and Shai Tsabary. But for now, let's enjoy "Dancing To Nothing". This track really has a vamped up Ethiopian jazz / Mulatu Astatke vibe to it. Don't you think? 

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Donut of the Heart

Pakistan's Jaubi Release Debut EP And Hindustani Tribute To J Dilla

The concept of time is one of life's greatest enigmas, but equally fundamental, when it comes to the art of rhythm and beatmaking. Which brings us to one of the most prolific and celebrated beat champions of all [...]

The concept of time is one of life's greatest enigmas, but equally fundamental, when it comes to the art of rhythm and beatmaking. Which brings us to one of the most prolific and celebrated beat champions of all time, being Detroit's James "J Dilla" Yancey, master sampler and pioneering hiphop producer, who passed away in 2006 at the age of 32. Every February for the past 10 years and counting fans around the world have been coming together to celebrate his life and work.

One of last year's tributes rather unexpectedly came by ways of Lahore, Pakistan, as now brought to greater attention in a recent piece by Bandcamp writer Jordan Ferguson: "Jaubi, a collective of Indian classical musicians from Lahore, Pakistan, quietly uploaded a video on Youtube to commemorate the tenth anniversary of Dilla’s passing: a cover version of “Time: The Donut of the Heart” from Dilla’s final album Donuts. A sarangi plays the signature loop, tabla and vocals provide a surprising bounce and plaintive acoustic guitar chords add melodic cohesion. In 60 short seconds, the members of Jaubi take Dilla’s original and turn it into something wholly different, yet instantly recognizable."

Within days, the video generated thousands of views and ultimately led to the vinyl release of their debut EP "The Deconstructed Ego" on London's Astigmatic Records imprint. As revealed on the group's Bandcamp page, "Jaubi (جو بھی) is an Urdu word roughly translating to 'whatever'. Creating whatever sounds good and whatever feels good is the goal".

Incorporating elements of Hindustani (North Indian) classical music, Jaubi emphasize the free-flowing nature of their tracks: “It’d be very difficult to replicate what we record. If I was to play what was recorded I’d have to go back and learn it like a new song, because I can’t remember most of that stuff. The other guys would say the same thing, because it’s just that moment in time,” says Ali Riaz Baqar (Jaubi's founder/guitar/kalimba), the 'other guys' being Zohaib Hassan Khan (sarangi), Kashif Ali Dhani (tabla/vocals) and Qammar Vicky Abbas (cajon/vocals).

Read the full story here, find the full EP here  and watch the J Dilla tribute video below:

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Everything Has an End, But the 'Wursht' Has Two

Video Premiere: Joe Fleisch Teams Up With Ori Toledano & Guy Bolandi To Turn Stefan Remmler's '80s Hit Into A Yiddish Chart-Breaker
Greedy

Ever heard of Stephan Remmler and his band Trio? Maybe not. However, you may have crossed paths with his German new wave hit “Da Da Da”, released at the ultra-coolish, icy beginnings of the '80s; a monotonous, [...]

Ever heard of Stephan Remmler and his band Trio? Maybe not. However, you may have crossed paths with his German new wave hit “Da Da Da”, released at the ultra-coolish, icy beginnings of the '80s; a monotonous, semi-callous, numb, yet cynically funny anti-love song with that now iconic, recurring line, quasi spoken by a deep and seemingly indifferent male voice in the same repetitive groove as the Da Da Da bass: “Ich lieb Dich nicht, Du liebst mich nicht” (I don’t love you, you don’t love me). The strength, authenticity and honesty of this track propelled it to worldwide recognition, as an English version was in high demand.

One moment later in history, with the '80s in their finishing round, Michael Jackson, Madonna and Prince were very much alive and kicking, new wave and punk were past their peak, while former B-movie actor Ronny Reagan was in full swing, poised to crush Gorbachev’s Soviet Empire with his “Star Wars”-ish arms race; it was around that time in the year 1987 that Stephan Remmler’s band Trio released “Alles hat ein Ende (nur die Wurst hat zwei)” (Everything has an end, but the sausage has two), a comical and once again deeply cynical ‘Schlager’, which basically boils down to the grim insight that almost every relationship must come to an end, save for the sausage, which literally has two ends. The track to this day remains a hit, on the national level at least. It may have overdosed on that particular kind of humoresque German primitivism, that is less understood elsewhere, but the phrase and song, now staples of German pop culture, have since taken on a life of their own.

Which, almost 30 years later, brings us to a certain Joe Fleisch (pronounced ‘flysh', meaning meat or flesh in German) aka Jossi Reich, frontman and controversial crooner of the notorious Jewish Monkeys. 

Immodestly, Joe Fleisch, the self-proclaimed “neo-Yiddish singer”, claims his singing in the old language “is how Yiddish Pop would have sounded, had Hitler never been born”. A son of Jewish-Polish Holocaust survivors, who after the war found a new home in Germany of all places and who then emigrated to Israel in the late 90s, Joe had always been obsessed with an aspiration to transform the German hits of his youth into Yiddish tunes. Hence, the German sausage, alias “Wurst”, turned into the Yiddish “Wursht”. It just so happened, that Joe approached one of his closest buddies, the video clip director Guy J. Bolandi, who put him in touch with composer/producer Ori Toledano, both acclaimed artists on the Tel Aviv scene.

The latter outfitted Joe Fleisch’s tune with a contemporary, electro-oriental club sound, while Guy J. Bolandi, one of Israel’s most sought after commercial directors for all kinds of tasteless and less tasteless consumer products, always trigger-happy when it comes to doing something provocative, set up a dark, nightly forest scenery and filled it with a bunch of mind-bogglingly erotic female models, who in turn, having just escaped their teens, symbolize that lurking temptation facing millions of poor, horny, heterosexual men on a daily basis, once they have decided to stay true to their chosen one for the rest of their lives.

In order to make the depth of his Yiddish lyrics more comprehensible, Joe urged Bolandi to add some karaoke flair to his “Wursht”. This inspired Bolandi to not only body-paint his actresses with the English translation to Fleisch’s lyrics, but to even take things one step further and integrate a typographic visualization into this stunning lyrical metamorphosis from German to Yiddish. Bolandi combined visual elements usually found in works by contemporary graphic design artists with strong references to the works of Robert Brownjohn, one of the pioneering title-sequence-designers of his time (i.e. James Bond, “Goldfinger”). 

The result is an innovative pop music video, likely to become the very first international Yiddish chart-breaker of the past seven or more centuries (ever since Yiddish came into being, sometime in the dark, German, medieval ages). Yeah!

In closing we say, cursed be the one, who almost exterminated this language. His body may have been burned to ashes after he committed suicide, but his genocidal legacy lives on, be it in the killing fields of Cambodia, in former Yugoslavia, Ruanda, Darfur, Syria, etc. But this shall not be our concern. Instead, we care about fashion, love and ecstasy. So have no fear. Even though the end is near, Joe Fleisch’s “Wursht”, from the hands of Ori Toledano and Guy J. Bolandi, will be sure to console us and keep us afloat, as Global Warming and unfortunate wars threaten to melt and burn us very soon; to ashes. Enjoy!

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#ArtUnderThreat

Freemuse documents 1,028 violations of artistic freedom across 78 countries in 2016

In a recent mailout by Freemuse, an independent international organisation advocating and defending freedom of expression, we were saddened to learn about some concerning statistics. Entitled "Art Under Threat" the [...]

In a recent mailout by Freemuse, an independent international organisation advocating and defending freedom of expression, we were saddened to learn about some concerning statistics. Entitled "Art Under Threat" the report states that Iran, Turkey, Egypt, Nigeria, China and Russia lead the list of countries "systematically violating and failing to secure artistic freedom in 2016". In fact, these six countries account for 59% of the serious violations recorded last year.

This is not about pointing fingers, but rather about creating awareness for an issue that needs to be addressed on a global scale, be it the act of silencing, censoring or prosecuting artists or any other attempt to stifle artistic expression. As poignantly stated by Freemuse Executive Director Ole Reitov: “When populist and nationalist governments, as well as others in a position of power, forcefully try to secure a single dominant narrative, artists are at increased risk. Artistic expressions do not and should not fit into one frame. A healthy society needs alternative creative voices.”

In total Freemuse registered 1,028 cases of censorship and attacks on artistic freedom across 78 countries in 2016, doubling the number of cases registered in 2015, being 469. In addition Freemuse documented 188 total serious violations – killings, attacks, abductions, imprisonments and threats – and a staggering 840 acts of censorship. The full report on #ArtUnderThreat is available here.

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